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" Hush gives readers interested in sound studies a lot to chew on. Scholars of sound studies, digital media, broadcast media, disability studies, and those interested in the intersection of gender and race with media will find this book insightful." - Jennifer Hyland Wang, Journal of Radio & Audio Media
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" Hush is an important addition to the emerging field of sound studies. "Hagood leaves us rethinking media theory, sound studies, and the definition of media." - John F. "Hush is provocative and insightful." - Stephen Phillips, The Wire But, once you begin to think about the relationship between the sound waves that constantly pass through us and the potential loss of self, you become more attuned to all the beckoning noises of modern life." - Hua Hsu, The New Yorker "Hagood points out that we now often talk about personal freedom in terms of what we don’t have to listen to, and he focusses, in the book, on our efforts to navigate sonic nuisances, and also the paradox of combating sound with more sound, in a world that has become loud enough to damage our health.
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Challenging our self-defeating attempts to be free of one another, he rethinks media theory, sound studies, and the very definition of media. In a noisy world of haters, trolls, and information overload, guarded listening can be a necessity for self-care, but Hagood argues our efforts to shield ourselves can also decrease our tolerance for sonic and social difference. These devices, which Hagood calls orphic media, give users the freedom to remain unaffected in the changeable and distracting spaces of contemporary capitalism and reveal how racial, gendered, ableist, and class ideologies shape our desire to block unwanted sounds. In Hush, Mack Hagood draws evidence from noise-canceling headphones, tinnitus maskers, LPs that play ocean sounds, nature-sound mobile apps, and in-ear smart technologies to argue the true purpose of media is not information transmission, but rather the control of how we engage our environment. Labor and Working-Class History Associationįor almost sixty years, media technologies have promised users the ability to create sonic safe spaces for themselves-from bedside white noise machines to Beats by Dre's “Hear What You Want” ad campaign, in which Colin Kaepernick's headphones protect him from taunting crowds.Association for Middle East Women's Studies.Author Resources from University Presses.Journals fulfilled by DUP Journal Services.
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